Clearly the resilient referred to in the posters are the native American peoples who resisted and died under settler colonialism, but what Reid is referring to in the quote is the tendency of international donor agencies to refer to indigenous people and the poor as resilient in the face of adversities driven by climate-induced disasters. He's also referring to an academic apparatus that too often plays into an homogenized view of the abilities that people may have to respond and adapt to climatic changes. These 'cliched representations', as he refers to them, may be used to justify 'solutions' from donor agencies that are also homogeneous and complicit with views of the landscape as existing outside of a historical continuum or as Reid puts it "the resilience which colonial states now identify with indigenous peoples refers to their abilities to survive environmental disasters and pays little heed to their own histories of colonial violence". Whoever flies the resilience flag needs to be seen with a critical eye. Yerena, without questioning his commitment, is not privy of the ways in which corporate sponsors have used his stenciled indigenous images on their products. According to Reid "selling to Red Bull meant Yerena could pay the rent and paying the rent meant Yerena could design for the Amplifier Foundation and its political campaign against the particular formation of white racist neoliberal capital that Trump’s presidency represents".  I guess the aesthetic of indigenous imagery is both a means for capital as well as a way to expose forms of hegemonic power and its entrenchment with actual places and lives.